Last month I attended my 50th high school reunion in Mission, Texas. Camera in hand I devoted myself to the lovely, melancholy task of documenting that town I knew and how it has grown and evolved from a town of 11,000 to 90,000 now. Nobody asked me to record the town. That’s just what I’ve always done.
| Former Conway, Dooley & Martin building. |
What Dublin was
to James Joyce, Mission is to me.
I strolled
around downtown Mission to see the commercial district. The Spanish-style
building where my mother worked for Conway, Dooley & Martin Insurance Agency now
houses a healthcare provider. Ghosts hovered over North Conway Avenue, the main
drag, as I overlaid businesses long gone: David’s Pharmacy, Rexall Pharmacy,
First State Bank (where I had a passbook savings account paying a fixed 5
percent! Sign me up for that!), Later’s Supermarket, Dondlinger’s Appliances. Dr. Martin and Dr. Livengood, who made house calls. The Border Theater, a historical landmark, is still there but I don’t see
movies playing.
| The tracks. |
I wandered in
the 95-degree heat toward the railroad tracks that split Mission into north and south
segments, rails of both commerce and intense symbolism. I’ve got photos going
back to 1975 of the tracks. They always drew me. I was in luck: I saw a line of
10 rail cars on the regular tracks and six graffiti-scarred ones on a
weed-grown side track. From different angles I captured background elements
that added context. The most notable was the venerable Our Lady of Guadalupe Catholic Church, an anchor of Mission’s skyline and
society for over 100 years. I shot palm trees in the distance framed in the
space between two cars.
| Palm trees amid railroad steel. |
Across the
tracks and down South Conway Avenue, to the “Mexican” part of town. Heading south,
I passed Mission Feed and Hardware Supply, and Mission Western Wear. They’re
old-time retailers. South Mission was always intensely photogenic. The Leo Pena
Placita Park was locked up, so I couldn’t get in. It honors Mission veterans,
highlighting those who died in service. The place looked rundown, needing lots
of TLC in keeping with its solemn purpose.
Driving a distance from my hotel, the Bungalows on Shary Road, I rediscovered the Valley I remembered: wide vistas, towering Gulf Coast clouds, fields, mobile homes. What I had been so oblivious to as a teen now looked utterly familiar, timeless, serene—the home I had.
I visited St.Peter’s Novitiate southwest of town, built in 1912 as a seminary. In the 70s I walked
around and photographed this stately building and surrounding greenery. Then a
fire destroyed it in 2009. Seeing the skeletal ruins on top of a hill, isolated
behind a high fence, shocked me. It stands like an ancient ruin of Rome.
The hillside offered
a panoramic view of fields and roads, rolling down to Mexico about a half-mile
away.
The unceasing
wind gusted through the quiet where I could hear birds chirping. The place encourages
meditation. Perhaps the novitiate’s remains are a miracle, the defiance of
faith over the calamity of fire.
| St. Peter's Novitiate. |
Later a friend and I drove to the National Butterfly Center, a 100-acre wildlife center and native species botanical garden. This was new to me. We slathered on sunscreen and checked out the trails and butterflies. On the drive back we drove parallel to a stretch of the rust-colored border wall, which reminded me of sculptor Frank Serra’s monumental work Tilted Arc, a relic of New York in the 1980s. We didn’t stop to take photos because the Border Patrol has eyes in the sky and everywhere else. Why ask for trouble?
But, I saw some
encouraging signs in town, such as a bookstore/performance space, Vellichor Books and More,
perfect for open mics, and a vintage store that had Jewish books and even art. I especially liked the Mission Historical Museum, in the
old city hall. I had donated copies of town and high school newspapers I had
written for to the museum. To my delight, one exhibit had a photo of a school band
from 1930. It includes one girl, kneeling, with a saxophone. I told the museum
staff who she was—my mother, Shirley Lissner when 10 years old. I know because I
have a copy of that very photo.
Who knows,
maybe the museum will exhibit photos I’ve taken, or recordings of my open mics about
Mission, or posts from this blog, Mission2Moscow. What’s commonplace now may be valued
and revealing in the decades ahead. But that future is in another country.
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| My mother with the saxophone, 1930. |
